The next in the Hunted Series: The Interloper

A kickstarter project is underway to publish all three novellas in Dave Zeltserman's Hunted series as a 270-page paperback and ebook.

What some people have been saying about Dave Zeltserman's ultra hardboiled series:

"a swiftly paced story that rewards with tension, suspense, and surprise." Bill Crider, author of the Dan Rhodes mystery series

"dark tour-de-force of non-stop action and tension" Vincent Zandri, bestselling author of The Remains and The Innocent

"Stark meets Ludlum meets Forsyth in this tight and tricky opener to a new novella series from the always-innovative Dave Zeltserman." Roger Smith, author of Wake Up Dead and Dust Devils

"The Hunted rockets along, never boring for a second ... The Dame reads like a Reader’s Digest Condensed Parker, with all of the elements that we know and love crammed into a scant 70 pages" The Violent World of Parker

"Everything Dave Zeltserman writes is gold, and his new Hunted series is no exception." Evan Lewis, author of the Skylar Hobbs mystery stories

To read more about this project and an excerpt from The Interloper, click here.

Ripper Street

Every show's cancellation hits the people who love it, and every show has a core group of people who love it lots. But the wider dismay over the BBC's cancellation of Victorian-era police drama Ripper Street, shown in the US on BBC America, seems to have an unusual edge to it.

I'm not a fan. By which I don't mean that I have a low opinion of it, simply that I don't follow the show. And if anything I ought to welcome its cancellation, because with Ripper Street and Copper out of the way, development execs are willing to look seriously at the Becker books again.

But it's worrying that once again the BBC has killed a series that it claims to be proud of, citing a fall in viewing figures as the reason. For an advertising-driven broadcaster viewing figures are crucial because their business is one of selling eyeballs to advertisers. The viewer is not the client, but the product. The programmes are bait, to draw a crowd and serve it up to the client's sales force. In the UK, regulation imposed a quality threshold on commercial television from the very beginning. With relaxed regulation you get Babestation.

The BBC isn't a commercial network. With its one-off yearly license fee funding, the BBC's model is more like that of a cable company - and it's the biggest bargain of its kind in the business, whatever the bottom half of the internet may say. Sky charges you more, produces less, and still shows you ads.

Subscription-funded companies like HBO or Showtime don't have to worry about the figures for any one programme. Their brand image is defined by the quality of some of their least-watched product. Hence The Sopranos, Deadwood, Mad Men, Breaking Bad - bar-raisers for an entire industry. AMC's Mad Men made its debut to less than a million viewers. The episode average never rose above three million, but it was deemed worthy of six seasons.

The BBC's there for all of us in the UK. Because of the compulsory license fee, we're all subscribers. Yet the BBC chooses to ape ITV's methods and compete for ratings in time slots, as if courting imaginary ad buyers. Which wouldn't be so bad if they didn't then use those ratings as the measure of a programme's worth, when simply moving the material around the schedule can have a drastic effect on its numbers.

(I speak here as someone who once saw his big-budget one-off BBC drama scheduled against live football on ITV, Manchester United v AC Milan. They knew what the outcome would be and didn't even bother making any trails for the show.)

I've heard it suggested that the real reason for Ripper Street's cancellation is that it's too 'blokeish' for some executives' tastes, and the numbers only provide a handy excuse. So presumably the blokes will now go off and watch The Paradise instead. Or maybe Mr Selfridge.

That's about a bloke, isn't it?

This week on CrimeCityCentral's podcast---More Than a Scam

This week on CrimeCityCentral's podcast is Dave Zeltserman's twisty More Than a Scam. This story was received honorable mention in the 2002 Best American Mystery Stories, and might be the first crime story about those ubiquitous Nigerian email scams.

The story's introduction starts at the 12 minute mark.

Some of our favorite noir films

Max Allan Collins: Kiss Me Deadly

Vicki Hendricks: Body Heat

Joel Goldman: LA Confidential

Bill Crider: The Maltese Falcon

Naomi Hirahara: The Crimson Kimono

Ed Gorman: Cape Fear

Paul Levine: The Killers

Libby Hellmann: Double Indemnity

Harry Shannon: Fargo

Dave Zeltserman: The Third Man

Other favorites from Top Suspense: Gun Crazy, Out of the Past, Touch of Evil, Angel Heart, Night of the Hunter and The Postman Always Rings Twice.

Let's hear your favorites!

MIND PRISON -- Free Today

Free today!

The Long Ride Back

Readers who stumble onto Ed Gorman's writing soon find their pulse quickening with excitement as they discover that he's one of the best mystery, horror and Western writers working today. Here's what a few critics are saying about Ed's exceptional Western collection, The Long Ride Back & Other Western Stories:

"This being my first exposure to Gorman, I loved every second of it. Expecting a typical Western, I was blown away by how he turns the genre on its ear like some of the Western writing of Elmore Leonard." Bruce Grossman, Bookgasm

"Simply one of the best western writers of our time." Rocky Mountain News

"Ed Gorman's western stories are anything but ordinary. They often take take place in lonely, tragic, mythical landscapes." Goodreads

"Donald E. Westlake (to whom Ghost Town is dedicated) pointed out similarities to the Westerns of Will Charles (crime author Charles Willeford writing under a pseudonym) Willeford and Gorman approached their material in the same way, namely that criminals are the same no matter what time period they're living in. That's Western noir. What Gorman is doing with the Western may not be new, but it's still a fresh approach that hasn't been done to death. He did not create the concept of Western noir, but he gave it a name, and he is certainly the best at it." Somebody Dies

THE LONG RIDE BACK AND OTHER WESTERN STORIES is the biggest collection of Ed Gorman's critically acclaimed, award-winning Western fiction ever published. This massive trade paperback brings together the complete contents of the three e-book Gorman collections published by the Western Fictioneers Library: DEAD MAN'S GUN, A DISGRACE TO THE BADGE, and ENEMIES. Nineteen short stories and novellas and two essays add up to more than 100,000 words from one of the finest writers of our time. This indispensable collection is available only from the Western Fictioneers Library.

Also available for the Kindle are these celebrated Gorman Western novels :

Death Ground
Wolf Moon 
Guild

Mind-bending short story MIND PRISON

From Shamus Award-winning author, Dave Zeltserman, comes this mind-bending mix of science fiction and noir. A renowned scientist, Dr. Graham Winston, is developing an ingenious and, some might say, horrifying technology that will revolutionize prison. He's close to a breakthrough, except that he finds himself distracted by his beautiful mistress... and thoughts of murder.

"MIND PRISON is a dandy tale of hubris and horror that both Philip K. Dick and O. Henry would heartily endorse." Lee Goldberg, author of THE HEIST and THE WALK

"MIND PRISON is a mix of science fiction and noir as diverting as it is surprising." Max Allan Collins, author of ROAD TO PERDITION

"A taut, dark, searing science fiction story filled with noir atmospherics--greed, sexual betrayal, murder--that evokes the best of Philip K. Dick's grim near future." Ed Gorman, author of CAGE OF NIGHT and FLASHPOINT

"MIND PRISON features a novel and Orwellian solution to the problem of overcrowding in American prisons." Publishers Weekly

MIND PRISON is available now for $0.99.

Frontlist Feature: State Vs. Lassiter by Paul Levine

Top Suspense member Paul Levine was one step ahead of Shakespeare when the bard suggested we should “First, Kill All The Lawyers.” An attorney himself, Paul wisely stopped practicing—except in his writing. In fact, that’s one of the titles in his as-funny-as-Carl Hiassen legal thrillers, the Solomon and Lord series.

Now, though, Paul has released a new entry in his other award-winning series featuring lawyer Jake Lassiter. In this thriller, life is great for Jake at the start. His law practice is booming...He’s crazy about the new woman in his life... His one-time delinquent nephew Kip is getting A’s in school...What can go wrong?

How about a charge of first degree murder?

When money goes missing from client trust accounts, Jake confronts his banker, Pamela Baylins, who also happens to be his lover. She accuses Jake of skimming client funds; he accuses her of dipping into the till. She threatens to report him to the Florida Bar and the State Attorney and within hours is killed. All the evidence points to Jake, who is charged with murder.

The premise, Paul says, was simple. “I wanted to put Jake Lassiter in his tightest spot yet.  And what could be more precarious than being charged with first degree murder?  For a lawyer who’s used to representing other people, sitting in the defendant’s chair is a new and frightening experience.”

And, according to readers, Paul has another winner. Following is praise for the book and the series.

PRAISE FOR “STATE vs. LASSITER”

Blend the wit of Carl Hiaasen with the dialogue of Elmore Leonard and throw in John Grisham’s courtroom skills, and you have ‘State vs. Lassiter.’” – Amazon.com

Lassiter stands tall like Jack Reacher, Travis McGee or Spenser.  Levine’s only problem he isn’t prolific enough.  I want more Lassiter!” –Amazon Vine Voice review

PRAISE FOR THE JAKE LASSITER SERIES

“Mystery writing at its very, very best.”–Larry King, USA TODAY

“Irreverent, genuinely clever, great fun.” – New York Times Book Review

“Twice as good as Turow and Grisham and four times the fun.” – Armchair Detective

“Jake Lassiter has a lot more charisma than Perry Mason ever did.” – Miami Herald

Btw, Paul has won the John D. MacDonald fiction award and has been nominated for the Edgar, Macavity, International Thriller, and James Thurber prizes. He also wrote more than 20 episodes of the CBS military drama “JAG.”

Don’t miss State vs. Lassiter.

Horror Then and Now

The October issue of the Readers Advisory newsletter pairs classic horror novels with recommended modern read-alikes.

For Frankenstein:

"The novel Frankenstein was so scary that it frightened its own author. Though Dr. Frankenstein and his monstrous creation are pillars of popular culture, the original text is often overlooked. This is a shame: Shelley’s imaginative tale of terror Is a literary masterpiece, blending adrenaline and thrills with thought-provoking questions about what it means to be human.

In Shelley's classic novel, Dr. Frankenstein's creation is a monster, albeit a sympathetic one. In Zeltserman's campy retelling, the real monster is the doctor himself, aided by his co-conspirator, the Marquis de Sade. Frankenstein's patchwork science experiment is the hero, and his perspective on events will delight anyone familiar with the original material, provided they can handle the depraved scenes of horror."

 Click here to read the article for more classic horror novels and recommended read-alikes.

Frontlist Feature: Blood Hina by Naomi Hirahara

Top Suspense member Naomi Hirahara won an Edgar for Best Paperback Original for Snakeskin Shamisen, the third novel in her “reluctant” detective Mas Arai series, but that honor is only one of many in her literary career, which you can read more about here. The fourth entry in her series, BLOOD HINA, has just been released as a trade paperback and ebook. 

Here’s the description: 

Mas Arai’s best friend Haruo is getting married, and he has grudgingly agreed to serve as best man. But when an ancient Japanese doll display of Haruo’s fiancée goes missing, the wedding is called off with fingers pointed at Haruo. To solve the mystery to save Haruo’s life, Mas must untangle a web of secrecy, heart-breaking memories, and murder.

Naomi wrote the book, she says, because she “wanted to explore a number of topics.  The most important one was love for the widowed and divorced in their twilight years.  What does love the second time around look like in the circle of my older, crotchety Japanese gardener?  In terms of setting, I wanted to take full advantage of a nonfiction book I had written on the history of the Southern California Flower Market in downtown Los Angeles.  What I discovered was a tight-knit, nocturnal community that sold flowers underground while the rest of the world was sleeping.  The contrast between the fragrant smell of the flowers versus the realities of industrial downtown L.A. is striking and rife with stories, especially crime-based ones.  Last of all, I wanted to explore how people struggle with their addictions – gambling, substance abuse, and so on.  This is such a reality for people of all walks of life, including those in Mas Arai’s world.”

Those goals have clearly resonated in BLOOD HINA, as praise continues to pour in from review magazines as well as authors who know the Asian community in the U.S.

“Edgar-winner Hirahara once again provides a sensitive insider’s view of the Japanese- American subculture in her fourth Mas Arai mystery.”—Publishers Weekly


“Written with heart and depth, and starring an Everyman for our time.” —Kirkus Reviews


“Mas Arai is a true original and one of my favorite characters in crime fiction. I love spending time in his world and I’m thrilled that he’s back—and at the top of his grumpy game.” —S.J. Rozan, Edgar-winning author of The Shanghai Moon


"Naomi Hirahara has done it again! It's wonderful to see reluctant detective Mas Arai back in action." —Lisa See, New York Times bestselling author of Snow Flower and the Secret Fan

Naomi is one of the West Coast's most respected authors, and hers is a series you don’t want to miss. You can find BLOOD HINA at Amazon, Nook, and Kobo.

FRONTLIST FEATURES: Hungry 4: Rise of the Triad by Harry Shannon & Steven Booth

Best-selling Top Suspense member Harry Shannon is one of the most versatile member of our group. He writes horror (i.e. Zombie), sci-fi, dystopian, and mystery fiction. Plus, he’s a well-known musician (and his teen daughter Paige is already taking after her father). So when Harry has a new book out, it’s a reason to celebrate.

Harry’s newest is TheHungry 4: Rise of the Triad. It’s part of the Sheriff Penny Miller Series, but it’s also a new twist for Penny and Harry. Here’s the description:

Small town Sheriff Penny Miller and her outlaw friend Scratch somehow managed to survive a nuclear blast in Nevada and then a brutal attack on their peaceful lodge in Colorado. They head for Los Angeles, looking for a fresh start. The citizens of Southern California remain blissfully ignorant of the coming war. They believe the zombies are simply an urban legend.

When they find themselves in a suspiciously run Malibu rehab facility, Miller can't relax. She knows the gore is about to hit the fan. Miller can sense when zombies are near. And they’re almost always near.

When all hell breaks loose, Miller and Scratch must endure deadly experiments, resist an ongoing government conspiracy, and battle another horde of ravenous zombies.

And that’s just for starters.

The Hungry series began with a short story called Jailbreak, Harry says, which was created for a charity anthology about zombies. “I asked Steven W. Booth, who was just beginning to write, if he wanted to collaborate. The story went up free on Amazon and got downloaded tens of thousands of times, so we wrote a novel called The Hungry. Best selling zombie author Joe McKinney contributed the introduction. Those sales were also great and launched an entire series. Sheriff Penny Miller of Flat Rock, Nevada is one hell of a lot of fun to write. She has a sailor's mouth, but a heart of solid gold. Her novels feature lots of black humor, action and gore. Collaborating at this length is rather new to me, but I really enjoy it, so The Hungry 5 is already in the works, You don't have to read these in order, by the way, but it helps.”

Rise of the Triad is already getting fabulous reviews, including these from prominent reviewers and authors:

"Zombie thrillers loaded with sexiness and smarts." -Jonathan Maberry, NYT Best Selling Author of Extinction Machine

"Like getting a bag of Halloween candy after a six month fast." -Frank Errington, Horrible Book Reviews

"Not just wall to wall action, but balls to the wall intense." -Steve Hockensmith, author of Pride and Prejudice and Zombies

"I loved it from the first line." -Joe McKinney, author of Dead Cit

The Top Suspense Group is proud to count Harry Shannon as one of our members. You definitely need to check out The Hungry 4.

FRONTLIST FEATURES: What Doesn't Kill Her by Max Allan Collins

Of all the members of Top Suspense, Max Allan Collins has to be the most prolific. (Just take a look at this). He’s ALWAYS got a new book coming out— frankly, the rest of us envy his productivity, but that’s another story.  So it’s not surprising that Max has a new novel coming out September 17.

WHAT DOESN’T KILL HER tells the story of Jordan Rivera, who was an ordinary kid with an ordinary family – until a vicious killer took it all away from her, sparing her and leaving her broken. The murders destroyed something inside Jordan and she spent ten long, silent years in an institution. Catching a glimpse of a news report about another ordinary family slain, Jordan breaks her silence. Now she’s out, and she molds herself—body and mind—into an instrument of justice.  While a young detective pursues the case on his own, Jordan teams up with members of her Victims Support Group, people like her, damaged by violent crime. They have their own stories of pain, heartache, and vengeance denied. With their help, Jordan will track down the killer before he can ravage any more lives. Her own life depends on it.

When we asked Max why this story, here’s what he said: “For my first novel with Thomas & Mercer, I wanted to step away from the historical and private eye genres I’m best known for, and do a straight thriller. I also wanted to get away from the procedural nature of the CSI, CRIMINAL MINDS and BONES novels that Matt Clemens and I have done featuring super-star forensics teams, including our own J.C. Harrow novels. The notion fascinated me of real people, members of a Victims of Violent Crimes support group, teaming up to use their own various everyday skills to track down a killer. Also, I’d been toying with doing an American variation on the strong damaged female protagonist of GIRL WITH THE DRAGON TATTOO, and this seemed a perfect opportunity.”

Reviewers agree.

"What Doesn't Kill Her is a kick-ass thrill ride from page one. This is the American answer to The Girl with the Dragon Tattoo." – John Gilstrap, author of High Treason and Damage Control

 “Another winner from a fine writer.”  Not the Baseball Pitcher

"Collins weaves a compelling story with strong characters: Jordan, several members of her victims support group, and Mark Pryor, a high school crush recently made detective who pursues the case on his own time. Jordan is torn between her desire to destroy the killer on her own and identifying with the other victims, accepting their help. There are lots of interesting twists to keep the story moving briskly." Karen Musser Nortman"

You can find WHAT DOESN’T KILL HER at Amazon in ebook and print. Audio too. And while you’re at it, check out a couple of other works in the pipeline: EARLY CRIMES (Perfect Crime), which collects three early pieces by Max -- a short story, a novella, and a previously unpublished novel. And ASK NOT, a new Nate Heller thriller, the third in his JFK trilogy, will be out in October. It deals with the statistics-defying number of witness deaths that followed the assassination.

See? Prolific. And Amazing.