Showing posts with label female. Show all posts
Showing posts with label female. Show all posts

Friday, September 21, 2012

Six Reasons to Write Short Stories

By Libby Hellmann

One of the reasons I love being part of Top Suspense is that all twelve of us write short stories as well as novels. I believe short stories are an essential part of an author's tool kit. In fact, I believe they can only make us better writers. So, in keeping with our emphasis on craft, I offer this post which was also on my individual blog recently, SAY THE WORD.


A writer’s journey often takes them to unexpected places. I know mine has. Like many beginning writers, I decided I could write a novel fresh out of the gate. So I did. Funny—no one wanted it. At the time I was irritated. Why not? I’d just spent four months working on what I thought was going to be a NY Times Best Seller.

The answer? I didn’t know what I didn’t know: that I hadn’t learned the craft of fiction, that I was getting in the way of my characters, that the plot was unbelievable, at times even (horrors!) trite. I joined a writers’ group, and slowly my process started to gel. In fact, sixteen years later I’m still in the same group.

Nonetheless, writing my first short story, “The Day Miriam Hirsch Disappeared,” was pretty much an accident. My son was about to be a Bar Mitzvah, and one of his gifts was a pictorial history book called The Jews of Chicago. As I flipped through it, some of the photos grabbed me. They were taken in Lawndale during the Thirties, which, at the time, was a thriving Jewish community in Chicago.


After staring at them for days, I ended up writing a short story set in that time and place. I had no idea it would win two contests, and would turn out to be the prequel to my Ellie Foreman series, which itself is the prequel to my Georgia Davis series. (BTW, Miriam is forever free on Amazon, Apple, and Kobo.)

Since that time I’ve written over 20 short stories. I’m hooked on them, and I’d like you to be as well. Short stories are magic—and they’re great for your career. Here are 6 reasons why.

#1: They’re short.

People say it’s tougher to write short than long. Don’t believe them. The best thing about short stories is that they’re short. I like to say that a novel is like a marriage, but short stories are like an affair. I can get in and out of one in 6 weeks. During those 6 weeks, I’m full of passion, awareness, and energy. Then it’s over, but unlike an affair, I have something tangible to show for it.

#2 They deepen your craft.

Short stories help you master the elements of craft. Every word counts, and that includes setting, character description, and action. In fact, the entire narrative (and dialogue) has to be crisp, concise, and meaningful. If you can do it well in short form, there’s no reason you can’t expand it to a novel.

#3 Experimentation

My favorite reason to write short stories is to explore new characters, plot lines, voices, even genres. Often in the middle of writing a novel, I’ll get an itch of an idea that won’t leave me alone. Writing a short story lets me scratch that itch. Plus, it gives me a break from my novel, and I come back to it refreshed. The first hard-boiled piece I wrote was a short story, and several times I’ve tried out historical time periods that I later expanded to a novel. “The Whole World is Watching”, for example eventually developed into Set The Night on Fire. And who knows? I'm even thinking of writing a historical short story that has no mystery at all.

#4 Name recognition

I published 2 short stories before my first novel came out. When it did, readers had seen my name around, and I like to think they realized I was taking my writing seriously. That recognition gave me an advantage when An Eye For Murder was released.

#5. Filling in the series/Starting a new one

Most novelists publish a new book once a year, but what happens to your characters inbetween? Short stories are a great way to fill in. I wrote several Georgia and Ellie stories just to remind my readers they were still around.

They’re also a wonderful way to answer questions for your readers. The Murder of Katie Boyle explains how Ellie and Georgia first met, and War Secrets, which will be out in an MWA anthology next year, answers one of the questions I deliberately left hanging in A Bitter Veil. Plus, you never know when a story (like Miriam) will propel your career onto an entirely unexpected path.

#6. Recycle Ability (that should be one word, don’t you think?)

Most short story contracts bind you for one or two years, but after that, the story is yours to do with what you wish. I’ve offered reprints to other anthologies, bundled them into collections, and have seen audios produced. In fact, a short story is the gift that keeps on giving… indefinitely.

Enough reasons? Start writing.

In case you’d like to investigate further, you can find 15 of Libby’s short stories in NICE GIRL DOES NOIR here and here, and on Audible.


And, of course, Top Suspense has published two short story anthologies, as well as a fabulous and outrageous round robin story.

Burl Barer comments:

I love reading short stories, and I love writing short stories. I find them great fun, and it gives an author the opportunity to explore different forms and voices - yes, it is akin to having an affair or a fling, yet with honest affection.

Saturday, October 1, 2011

TOXICITY -- my new thriller


The reviews are coming in, and they're pretty darned good.

J. Carson Black,best-selling author of THE SHOP and DARKNESS ON THE EDGE OF TOWN, says:

"Libby Fischer Hellmann’s thriller TOXICITY is as gritty as it is spellbinding. Populated with fully-realized characters, TOXICITY introduces us to Hellmann’s signature heroine, Georgia Davis. But we meet Georgia ten years earlier, when she is a young and determined rookie on a Chicago police force. In Georgia’s debut, we see her tenacity and strength, but also her vulnerability: the seeds sown for the woman she will become. TOXICITY works on all levels, drawing the reader inexorably into a web of deceit, heart-crushing loss, and righteous fury. This wicked brew explodes in a stunning and satisfying conclusion that answers every question. Hellmann pulls no punches."

Other reviews:

"I wasn't sure what to expect, but was blown away once I began reading. The author's style is fast paced and exciting. I literally couldn't put the book down....Think CSI meets Erin Brockovich. Combine that with excellent writing and you have a book that will keep you on the edge of your seat."

"TOXICITY is an engaging story that will haunt you on many levels. The characters are developed; the reader becomes invested. I found myself furious with every character at one time or another while reading this book which just goes to show how well written this story is."

"Hellmann writes with the economy and emotional punch of classic crime novelists like Lawrence Block. And she has created a perpetrator who is complex, realistic and completely unexpected..."

You can find it here. And on Nook here. And on the other usual suspects as well.