FRONTLIST FEATURES: Hungry 4: Rise of the Triad by Harry Shannon & Steven Booth

Best-selling Top Suspense member Harry Shannon is one of the most versatile member of our group. He writes horror (i.e. Zombie), sci-fi, dystopian, and mystery fiction. Plus, he’s a well-known musician (and his teen daughter Paige is already taking after her father). So when Harry has a new book out, it’s a reason to celebrate.

Harry’s newest is TheHungry 4: Rise of the Triad. It’s part of the Sheriff Penny Miller Series, but it’s also a new twist for Penny and Harry. Here’s the description:

Small town Sheriff Penny Miller and her outlaw friend Scratch somehow managed to survive a nuclear blast in Nevada and then a brutal attack on their peaceful lodge in Colorado. They head for Los Angeles, looking for a fresh start. The citizens of Southern California remain blissfully ignorant of the coming war. They believe the zombies are simply an urban legend.

When they find themselves in a suspiciously run Malibu rehab facility, Miller can't relax. She knows the gore is about to hit the fan. Miller can sense when zombies are near. And they’re almost always near.

When all hell breaks loose, Miller and Scratch must endure deadly experiments, resist an ongoing government conspiracy, and battle another horde of ravenous zombies.

And that’s just for starters.

The Hungry series began with a short story called Jailbreak, Harry says, which was created for a charity anthology about zombies. “I asked Steven W. Booth, who was just beginning to write, if he wanted to collaborate. The story went up free on Amazon and got downloaded tens of thousands of times, so we wrote a novel called The Hungry. Best selling zombie author Joe McKinney contributed the introduction. Those sales were also great and launched an entire series. Sheriff Penny Miller of Flat Rock, Nevada is one hell of a lot of fun to write. She has a sailor's mouth, but a heart of solid gold. Her novels feature lots of black humor, action and gore. Collaborating at this length is rather new to me, but I really enjoy it, so The Hungry 5 is already in the works, You don't have to read these in order, by the way, but it helps.”

Rise of the Triad is already getting fabulous reviews, including these from prominent reviewers and authors:

"Zombie thrillers loaded with sexiness and smarts." -Jonathan Maberry, NYT Best Selling Author of Extinction Machine

"Like getting a bag of Halloween candy after a six month fast." -Frank Errington, Horrible Book Reviews

"Not just wall to wall action, but balls to the wall intense." -Steve Hockensmith, author of Pride and Prejudice and Zombies

"I loved it from the first line." -Joe McKinney, author of Dead Cit

The Top Suspense Group is proud to count Harry Shannon as one of our members. You definitely need to check out The Hungry 4.

Amanda for All Seasons

Stephen Gallagher here...

I can remember watching the 6-hour Gerard Depardieu version of THE COUNT OF MONTE CRISTO over four nights, and finding some useful lessons there. The special power of the story lies in the way that Edmond Dantes remakes himself as a machine for vengeance and then reappears to engage with his enemies, none of whom shares the audience's knowledge of who he really is. And I was reminded of it last night while catching up with an episode of REVENGE, ABC's modern reworking of the same material.

It's an enormous story hook and it never fails – it was also the structural model for one of the best science fiction novels I ever read, Alfred Bester's THE STARS MY DESTINATION. Put a mask on Dantes, and he's Batman. Flip it around to the enemies' point of view and it's Friedrich Durrenmatt's THE VISIT. It's all about vengeance as a whole-life strategy, and the effect of its complex pressures and conflicts on the avenger. You wouldn't want to be the Count of Monte Cristo, Dantes tells one of his confidantes – he's a cold-hearted bastard who knows no happiness. I'd much rather be Edmond Dantes again, but they took that away.

In the 2002 Kevin Reynolds movie (which I liked a lot, by the way), the final answer to it all is a Hollywood sword fight. Good guy fights better than bad guy. But in this more resonant version he has a more subtle and complex revenge. He shames one enemy and drives him to suicide, puts another one into a personal hell by making him face the truth behind his family values, and finally finds his way back to being Edmond Dantes again by showing mercy to the last (albeit after ruining him financially).

The Depardieu version is far from perfect. The first time we see Dantes, it's as a prisoner of eighteen years' standing. He kicks away the thin gruel he's given and insists that he doesn't want food, he wants to die. But Depardieu looks more like a man who's eaten all his cellmates. Nose-and-wig disguises and melodramatic subterfuges that may work on the page don't work on the screen. And Dantes' ultimate reconciliation with his old love doesn't ring true and is, apparently, a significant divergence from the book.

But it felt like six hours well spent. THE COUNT OF MONTE CRISTO is more than a story, it's a classic form; an emotional setup that's available to all without fear of plagiarism. The story is what any writer can rise to make of the idea. MONTE CRISTO may be the material's most famous iteration but the underlying form wasn't even original to Dumas; remember how Odysseus returned to Ithaca in disguise, moving among the suitors who'd taken his home and were squandering his fortune?

And Odysseus wasn't the only returning avenger to have his disguise seen through by his dog. Will REVENGE's Emily Thorne lose sight of her own humanity, or will she find her way back to being Amanda Clarke again? There's no question that she'll trash her enemies along the way, because that's what we're here to enjoy.

The classics will always be, as Henry Fuseli once said of William Blake, "damned good to steal from".

"A Host of Shadows" nominated for the Stoker

Harry Shannon here, just learned this morning that my collection "A Host of Shadows" was nominated by the Horror Writer's Association for the Stoker Award. The book, twenty-five short stories with an introduction by Rick Hautala and an afterword, is available via Amazon Kindle here:

http://www.amazon.com/A-Host-of-Shadows-ebook/dp/B00472O8OQ/ref=sr_1_2?ie=UTF8&m=AG56TWVU5XWC2&s=digital-text&qid=1287166647&sr=1-2http://www.darkregions.com/products/A-Host-of-Shadows-by-Harry-Shannon.html

The trade paperback and hardcover versions can be purchased directly from the publisher, Dark Regions Press, via this link:

http://www.darkregions.com/products/A-Host-of-Shadows-by-Harry-Shannon.html

And now back to your regular programming.